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A very clean and lightly used copy of this large format book, extensively illustrated in colour and black and white throughout.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA major monograph on one of Britain’s most characterful sculptors\u003c\/strong\u003e, this beautifully \u003cbr\u003eproduced volume is both informative and a delight to peruse. 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Complete with unclipped dust wrapper and the original linen-covered slipcase. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe first major monograph and catalogue of Frink’s sculpture\u003c\/strong\u003e, this book remains a key text for anyone collecting her work or studying her life and includes much information about the artist and her working methods.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFilled with interesting essays and lots of wonderful photographs, including a large group  taken by Jorge Lewinski of the sculptures in settings, both indoors and outdoors, this manages to be both a functional book with the catalogue of sculpture, but also a visual treat. 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Complete with both the colour print pages of works by Paul Nash and Joan Miro and the pink detachable order form slip for future issues. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe final issue of Axis\u003c\/strong\u003e, this magazine represents very well so much of the ethos and interests of the modernist circles in Britain in the 1930s. 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From the first edition, complete with original dust wrapper that is a little worn at the edges, minor handling marks and with two short tears to the upper edge. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis important early book on Barbara Hepworth by her close friend and great critic Herbert Read\u003c\/strong\u003e is still a key text for anyone seriously interested in her work. \u003c\/p\u003e\n\u003cp\u003eBy the publishing standards of the day, this was a particularly lavish production and the photography, often taken immediately after the sculptures were completed, is extremely informative on how pieces have aged. 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Inside the front cover is the bookseller's label for Tiranti Bookshop. The white marks showing in the photo on the cover are light reflections from the very glossy lamination!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMax Bill is not as well-known in Britain as many of his contemporaries\u003c\/strong\u003e, but his career is no less exciting and covers several fields. Painter, sculptor, architect, designer, typographer and on, he was a Bauhaus student in the late 20s and has excelled in many areas since. His rigorous abstraction is outstanding and exciting and this small volume, part of the Methuen Art in Progress series on contemporary, mostly British, artists of the late 50s and early 60s, offers a very accessible introduction to his work. Well-illustrated, it also includes a double-page fold out colour installation image, quite an adventurous thing for 1964!  \u003c\/p\u003e","brand":"bailey heaven","offers":[{"title":"Default Title","offer_id":52104694825297,"sku":"5094","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/6039\/6625\/files\/5094c.jpg?v=1786785508"},{"product_id":"max-bill-1","title":"Max Bill","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Max Bill \u003cbr\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e: Angela Thomas (intro.) \u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Edward Totah Gallery \u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1991 \u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: A very clean and tight copy, the card covers showing very minor shelf-marking, but overall very lightly used. 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The wrapper is complete and unclipped, with some minor chips along the edges and one small torn section to the lower edge verso. Internally this book is very clean and tidy. Inside the back cover is the bookseller's label for Lechertier Barbe Ltd of Jermyn Street, London.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Lewis was a writer, architect and artist who published several books on the arts\u003c\/strong\u003e and this small volume on Brancusi is still keenly sought after. The writing on the artist is still very readable and considering how little-known he was outside modernist circles, would have made a very useful introduction to his work as well as adding to the knowledge of those already familiar with his sculpture. \u003c\/p\u003e","brand":"bailey heaven","offers":[{"title":"Default Title","offer_id":52129701921105,"sku":"5095","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0909\/6039\/6625\/files\/5095d.jpg?v=1780739381"},{"product_id":"the-almost-complete-works-of-marcel-duchamp","title":"The Almost Complete Works of Marcel Duchamp","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Marcel Duchamp \u003cbr\u003e\u003cstrong\u003eAuthor\u003c\/strong\u003e: Richard Hamilton \u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Arts Council \u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1966 \u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Apart from some very light handling marks to the green embossed card covers, this catalogue is in very clean, tidy and unbroken condition. From the second printing of 1400 with two additional plates.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIf you are wondering why I have included an image of the back of this catalogue\u003c\/strong\u003e, it is because that hole you can see is to allow you to properly view the \u003cem\u003eRotorelief\u003c\/em\u003es in motion! Considering that The Beatles released Revolver in the middle of the run of this show, you can see perhaps why Duchamp experienced such a revival of interest in the 1960s. \u003c\/p\u003e\n\u003cp\u003eHis mixture of experiment, iconoclasm and knowing reference was ideally suited to the mood of the times and this large retrospective at the Tate Gallery (as was) gave everyone a wonderful opportunity to see the icons like \u003cem\u003eFountain\u003c\/em\u003e or \u003cem\u003eIn Advance of the Broken Arm\u003c\/em\u003e at first hand. 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English edition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis was, I believe, the final issue of this magazine, published in 1938-39\u003c\/strong\u003e. This issue, dedicated to sculpture, covered a lot of ground - the front cover image was of a Brancusi whilst a few pages later is a section on medieval French sculpture photographed by Erwin Blumenfeld, one of the most celebrated photographers of the first half of the c20th.\u003c\/p\u003e\n\u003cp\u003eThere are articles on Marino Marini and Kandinsky writing about 'The Value of a Concrete Work' as well as a celebrated and much quoted essay by Herbert Read on \u003cstrong\u003eThree English Sculptors \u003c\/strong\u003e- Henry Moore, Barbara Hepworth and, yes, Ben Nicholson! 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Typography by Gordon House, this is from the initial printing of 20,000 copies (they clearly thought it would be a popular show!)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePicasso is often thought of now as primarily a painter, yet not only is sculpture an important part of his output, he was also incredibly good at it!\u003c\/strong\u003e This 1967 catalogue published to accompany a major Tate Gallery exhibition was a big one, with over 250 exhibits across the different media, and although it is largely illustrated in black and white, the sheer breadth of vision and amazing inventiveness bounces out of every page. \u003c\/p\u003e\n\u003cp\u003eHugely influential on several generations of British artists, Picasso remains one of the giants of the c20th. 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A well-preserved copy\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis 1978 publication remains a key text on Ayrton\u003c\/strong\u003e, an artist who was a big name in the 1950s and 1960s but has become somewhat overlooked. This is a shame as when he is on form, his work is extremely good. 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